• Pros Impressive image quality, even at high ISO settings. Dust-proof, splash-proof design. Solid build quality. Excellent ergonomics. Best-in-class EVF.

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In-camera art filters and color control. Robust time lapse feature. Quick autofocus. 10.5fps burst shooting.

In-camera image stabilization. Sharp, tilting touch screen. • Cons On the pricey side. No built-in flash.

No support for 60fps video. • Bottom Line With gorgeous images—even in low light, incredible speed, and a wealth of high-end features, the Olympus OM-D E-M1 is the best Micro Four Thirds camera that money can buy. Free Download Film Naruto Vs Pain Subtitle Indonesia. It's an easy Editors' Choice award winner. The knocked our socks off when we reviewed it last year, to the point where we wondered if Olympus could do any better. The OM-D E-M1 ($1,399.99 direct, body only) is what the company came up with, and the improvements include a larger, sharper EVF, built-in Wi-Fi, an improved control layout, a deeper handgrip, and faster focus speed with legacy Four Thirds SLR lenses—and that's just scratching the surface. Like the E-M5, which is supplemented by this new model rather than replaced, the E-M1 earns a 5-star rating and our Editors' Choice award for high-end mirrorless cameras. It's just that good.

The camera is heavy for its size, but that's a mark of sturdy construction. The exterior is a mixture of metal, hard polycarbonate, and textured leatherette. The handgrip is deeper than the one on the E-M5; it's a more comfortable camera to hold, and balances better with zoom lenses. The internal chassis is magnesium alloy, and the buttons and ports are protected against dust and splashes.

It's sealed against the elements to the same level as the E-M5, but it adds support for shooting in very cold environments—as low as 14°F. Plenty of controls are built into the body.

On the top plate, to the left of the viewfinder, there's an on/off switch that's integrated into a circular control, styled like a collapsed film rewind crank, that gives you access to the drive mode, self-timer, in-camera HDR settings, the autofocus mode, and the metering pattern. To the right of the EVF you'll find the mode dial, front and rear control dials, video record button, and the Fn2 button. On the face, next to the lens mount, there are two buttons—one activates depth of field preview, and the other is used to set white balance. These can be reprogrammed as well. Download Gintama Episode 4 Eng Sub.

The bulk of the remaining controls are on the rear of the camera, the lone exception being the button to toggle between the rear display, EVF, or automatic switching between the two; that's to the left of the eyecup, above the tilting LCD. To the right of the EVF you'll find a toggle switch with two positions. This is part of the 2x2 control system, introduced in the, which assigns two functions to each control dial. The Auto Exposure Lock/Autofocus Lock button is integrated into this toggle switch.

There's a programmable Fn1 button, in an angled position on the right rear corner of the camera; by default it adjusts the active focus point. The other rear controls are there to navigate through menus, play and delete images, and adjust the information shown on the rear display. The 3-inch touch-enabled display is hinged, so it tilts up and down, but it doesn't have the vari-angle capability like the touch screen on Panasonic's top-end Micro Four Thirds body, the Panasonic Lumix GH3. The Olympus display packs a super-sharp and bright 1,037k-dot resolution. You can enable touch-focus, or touch focus-and-fire, or disable the touch controls by tapping an icon on the left side of the display. There is a persistent Wi-Fi control at the top left of the screen. The Panasonic GH3 allows you to move your finger over the rear display to adjust the focus point while you're shooting with the EVF; it's a quick and innovative way to adjust focus.

I wish this feature was included here. You can drag the focus point around with your finger when you're using the rear display for framing with the E-M1, but the screen is completely disabled when the EVF is active. The EVF is everything you want an electronic viewfinder to be.

It's big—the magnification is higher than a full-frame D-SLR; it's sharp at 2.4 million dots, and the lag time is a mere 29 milliseconds. The quality is on par with the external bundled with the PEN E-P5; an EVF we liked enough to award our Editors' Choice. The OLED EVF that's built into the also features 2.4 million dots of resolution, but the Olympus EVF's larger size gives it an edge in quality. The Sony design is a bit punchier, displaying crunched blacks, while the Olympus presents a more natural take on the scene. The Olympus finder also does a better job in dim lighting; it's certainly not as smooth as it is in well-lit conditions, but it's not nearly as grainy or choppy as the Sony EVF. The large EVF is also a boon for manual focus; when combined with the camera's magnification and focus peaking features, the guesswork is removed from manually focusing a shot. Senior Analyst, Digital Cameras Senior digital camera analyst for the PCMag consumer electronics reviews team, Jim Fisher is a graduate of the Rensselaer Polytechnic Institute, where he concentrated on documentary video production.

Jim's interest in photography really took off when he borrowed his father's Hasselblad 500C and light meter in 2007. He honed his writing skills at retailer B&H Photo, where he wrote thousands upon thousands of product descriptions, blog posts, and reviews.

Since then he's shot with hundreds of camera models, ranging from pocket point-and-shoots to medium format.