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$3,295,696 $6M Dear Internet Archive Supporter, I ask only once a year: please help the Internet Archive today. We’re an independent, non-profit website that the entire world depends on. Most can’t afford to donate, but we hope you can. If everyone chips in $25, we can keep this going for free. For the price of a book, we can share that book online forever. When I started this, people called me crazy. Collect web pages?

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We never accept ads. But we still need to pay for servers and staff. If you find our site useful, please chip in. —Brewster Kahle, Founder, Internet Archive. $3,295,696 $6M Dear Internet Archive Supporter, I ask only once a year: please help the Internet Archive today. We’re an independent, non-profit website that the entire world depends on.

Most can’t afford to donate, but we hope you can. If everyone chips in $25, we can keep this going for free. For the price of a book, we can share that book online forever. When I started this, people called me crazy. Collect web pages? For 21 years, we’ve backed up the Web, so if government data or entire newspapers disappear, we can say: We Got This.

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If you find our site useful, please chip in. —Brewster Kahle, Founder, Internet Archive. Red Giant Shooter Suite 13.1.1 (x64) Bring your footage from set to post with confidence.

Red Giant Shooter Suite is a set of tools that gives you the freedom to shoot the way you want, with the confidence that your footage will make it from your camera to the editing timeline safe, sound and in sync. PLURALEYES 4.0 Audio/Video Sync in Seconds. No clapboards or timecode needed. - The most accurate A/V sync available for any NLE. - Syncs audio and video with the touch of a single button.

- Sync directly in Adobe Premiere Pro. OFFLOAD 1.0 Simple & reliable backup of your footage in the field. - Easy to use and makes sure your files are safe.

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- Up to 400% faster than Instant HD. FRAMES 1.1 Deinterlace your older footage and convert it to 24P. - Fast field-blending algorithm for quick results. - High quality motion-adaptive algorithm for intelligent smoothing. - De-artifacts and repairs lost color information in DV and HDV footage. New in Shooter Suite 13: Shooter Suite 13 includes four products, including the all-new PluralEyes 4, our indispensible tool for audio/video sync in seconds, and works with any non-linear editor.

Shooter Suite also includes Offload, Instant 4K and Frames. This update includes many new features in Red Giant PluralEyes, as well as integration between PluralEyes 4 and Offload.

PLURALEYES 4.0 - Entirely New User Interface - More Automated than ever before - Premiere Pro Panel - Smart Start - Automatic Drift Correction - Vertical Waveform Scaling - Track Comparisons - Keyboard Shortcuts - Color Coding - Integration with Offload.

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Version 4 continues this with a much more streamlined interface and easier setup. It’s still blazingly fast but has lost a few features in this update. This PluralEyes update is the first major overhaul since. The bulletpoint features from the: • Entirely New User Interface • More Automated than ever before • Premiere Pro Panel • Smart Start • Automatic Drift Correction • Vertical Waveform Scaling • Track Comparisons • Keyboard Shortcuts • Color Coding • Integration with Offload While you can buy PluralEyes for $299 ($99 upgrade) it’s also part of the $399. If you want to try it out a free trial is available (both Mac and Windows). The big question is why would one need PluralEyes when most every major NLE has waveform audio syncing built in? The answer is speed and accuracy.

What is your time worth? When it comes to audio waveform syncing I’ve got a couple of standard tests that I always run the syncing tools through. I’m just going to skip over the easiest ones as I know PluralEyes handles them well and move to my standard sync tests. The multiple interviews shot on multiple cameras test This is a somewhat standard type of setup that corporate editors might encounter.

Three cameras were used to record three different interviews. One camera records the hero audio while the others record the scratch. The final media is ProRes.mov files and they were organized into folders by camera and interview. A kicker is Camera 1 malfunctioned after the first interview and only recorded the single interview.

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